Another chaotic morning, and again, I'm just a few minutes late for school. However this Tuesday morning is like no other. Dark charcoal splotches decorate the dreary morning's threatening gray skies. It's not raining yet, but I'm certain the day promises violent storms. The heavy fog is settling so heavy onto the road that the sharp turns and hidden intersections are becoming progressively more dangerous. Considering my excuse for why I was late today, I hope that I gathered all of my belongings. Since school is about fifteen minutes away, I hastily left the house and don't remember my course of action before getting in the car.
Making it to school alive, it's twelve-thirty and not the afternoon I expected it to be. As the principal walked into our class I thought, "Great, another lecture about God knows what." Sure that I was going to survive the next half hour by doodling in my notebook, an unexpected tap on my shoulder ripped my thoughts astray.
I was terrified about why the school security guard is escorting me from class without an explanation. While walking down the deserted hallway, nearing the front office, anxiety is setting in. My palms are getting sweaty, my rapidly beating heart feels like it's in my throat, and my knee caps feel nonexistent. But for what, what is there to be so afraid of?
Turning the corner, I see my dad chatting with the receptionist in the office. He's uncharacteristically picking me up early from school. He said, "Hey sweetie, I'm parked out front." Nothing seems wrong; his smile lovingly looks at me as he puts is comforting monstrous hand on my back. We get into the car and he said, "Honey, something has happened."
"You are my sunshine, my only sunshine. You make me happy when skies are gray. You'll never know dear, how much I love you. Please don't take my sunshine away," she would sing. Every night before we sat down to dinner, a music box sat on the kitchen table, and as she always let me wind it up, the beautifully simple melody would softly play. Our regular meal of calamari boiled in soy sauce, bok choy and seaweed, and the overwhelming tangy smell of pickled cabbage was always accompanied by a necessary bowl of steaming white rice.
The years of aromas of soy, steam, and ethnic ingredients formed a thick, musty smell that embedded itself into the entirety of her house. The smell even adopted her cream-colored Ford Taurus with hunter greet velvet interior. Embroidered handkerchiefs of Mickey and Minnnie Mouse accented the back seats and located in the tape player was a cassette of beautiful foreign words that I sang along to.
Before I knew who I was, everyone in the town knew me because the knew the kindness of her. From the time she thought it was safe for me to go outside, I wore Gucci tee-shirts and became the awe of the town. Strolling me around town every day, she bestowed the upbringing upon me to be the sweetest girl I could imagine being friends with. And while I listened and obeyed, I didn't communicate. So many times, I selfishly would come home from church and not tell her I was there. Memories of such selfish guilt, rushing through my brain, are the ones I wish I could dispose of.
It takes a certain kind of person to leave her home and immigrate to a foreign land. She was from Yokohama, Japan and a beautiful specimen of her heritage. Her petite frame, though strong and stocky, glided as if she constantly wore a kimono and slippers. She had porcelain skin, jet-black curly hair, and an endless smile of thick white teeth. She told me I had her "button nose." Her porcelain skin was decorated with sunspots. "You have a lot of freckles," I said once. She immediately sat my youthful body in front of her and lectured me for twenty minutes about how my beautifully taut bronzed skin would look like hers one day. "Cool," I said. Wrong answer.
She told me everything, taught me anything, and raised me to be the person I am today. My parents weren't available as much during the majority of my upbringing. The ran a restaurant and were in debt with a failing marriage, but I knew non of that. She selflessly blinded me from the bad in the world and instilled everlasting values of optimism. She taught me to speak Japanese and encouraged my wild imagination.
"Dad, what's wrong, what happened?"
"Honey, it's about Mommy-O," he said.
My insides start contracting so tightly that I can't breath as immediate flows of memories fall from my eyes. I don't know if I said bye to her that morning, or much less that I loved her. In such a hurry, not concerned with my grandmother, I just left her at home and expected her to be there when I got back. The pressure inside me is building up so greatly that I'm becoming dizzy. My lips are too swollen to purse together and the physical pain drenches me in water so much that my face looks like I've been rained on.
It seems like my world fell apart today, the day of no sunshine. Never did I think it would happen this way. Too naive to understand what I had, it was too great to be slowly taken away from me that it had to happen immediately. It's been years but the thought of her still wrenches my insides as I long to her her thick accent call me name. "Sahdah," she would say. But what I realized that morning, was that I 'd never hear it again. People told me everything happens for a reason. But what they didn't tell me is why, how, or what I was supposed to learn from it. This though was evident; I never had to tell her I was home again.
Monday, March 22, 2010
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Sarah,
ReplyDeleteWow. I’m not even sure how to begin. Your piece evoked intense emotion, alternating luridly lurching and cozily nostalgic descriptions. Masterful crafting. I thought how you withheld the subject for so long was especially powerful, maintaining suspense and that terrible feeling of foreboding until near the end. Also, many of your phrases were very elegant; I really liked “flows of memories fall from my eyes.” This is a beautiful piece.
Because of that, because it evoked so much, I’m hesitant to critique anything. I think, though, it should be noted that you switched tense pretty often, which maybe stunted the flow of the piece a touch. Check out the first sentence of the third paragraph, in that regard. Technical quibbles aside, though, you wrote a masterful piece. Well done.
-Jackson
Sarah,
ReplyDeleteThis was very well done and poetic. I loved the descriptive language. You managed to touch on all the senses in one way or another and I can smell your house, which is creepy, but that's the power of your descriptive language.
I liked the order of your story, beginning with the present and switching to the past, but watch tense errors when you switch. Also, this isn't a big deal, but I think some of your similes would work much better as metaphors by simply cutting out the like or as. And as an even smaller note, twice you have "they" as "the".
Overall, it's a very compelling and emotional piece, and I think you have a strong writing style.
Kevin Gillingham
Sarah,
ReplyDeleteA little editing here and there, and I'm certain this could be the epitome of emotion through written word. Your word choice and descriptive writing style is perfect for this kind of piece. Along without explicitly stating the situation, you had me reading deeper and deeper, and the piece has you diving deeper and deeper into your own feelings. It becomes easy to relate.
Minus the few spelling errors, slightly confusing tense at times, and other minor details that don't really affect the point you make, this was a great piece of writing. I'm going to have to make it a point to at least call all of my family up.
Sarah,
ReplyDeleteI am sorry for your loss. You employ a highly expressive introduction, well done. Describing the weather as threatening, not yet raining, but promising a violent storm as if to foreshadow what is to come was a great strategy to draw the reader in.
I would like to know how old you were when this event took place. From your text I gather that you drove yourself to school; however, then your father picks you up—although I can see how contextually such an event would warrant your fathers actions—a sentence more would clarify the situation.
Along a similar line I was a bit confused when you said, “the principal walked in,” and “the security guard escorted you from class.” Are they both present in both scenes?
Between the second and third paragraph I am unsure how much time has passed, it seems like the minute she got to school and sat down the principal and/or security guard walked in and escorted her to the front office.
I really like your transition between the fourth and fifth paragraphs, as we learn something happened we jump into your memories of your grandmother. Good work.
Sarah,
ReplyDeleteI felt like this was happening to me. You are so vivid! I'm terribly sorry about your grandmother. I think that this is an amazing piece. I love how you leave some suspense throughout all of your descriptions...especially about your relation to her. I thought that initially you were going to get in trouble for something, but you put a really good spin on the piece. There were a few minor details that need fixing, but with a time or two reading through and proofreading these will be fixed. Great work, really.
Sarah,
ReplyDeleteWhat a wonderfully creative, and powerful account of a most likely very hard time in your life. I loved your use of imagery particularly when you are describing the way it felt to be taken out of class early. I think you have a very good start here and I think with some elaboration this piece could develop even further. I think the kind of "mystery" in not knowing who exactly you are talking about is a nice element, but I wanted to see more evidence as to who earlier on. Also the climax and conclusion of the piece are very close. I think the conclusion should be fleshed out more. I hope to learn more about your grandmother soon! I think you are on to a great piece!
-Maggee
Sara,
ReplyDeleteThis was a very moving piece. It must have been difficult for you not only to recount the events of that day in your life, but to journey back into your memories of her and incorporate them into the piece as well. It was beautifully written and I really got an impression of how you felt and what she meant to you. I especially liked the structure of it, and how you decided to delay the news and present the memories first, so that the reader had a much stronger understanding of the impact of the news.
My only concerns are that occasionally in the beginning, before you took us back, you switched between present and past-tense before deciding to keep it all in present, which I liked because it really helped me as a reader to be “in the moment” with you. There are also a few descriptions or sentence structures you may want to re-word, like “I was terrified about why the security guard is escorting me”.
All in all, though, this was a great piece, and I’m glad you had the courage to write it.
Emma
Sarah,
ReplyDeleteThe description in this piece makes me feel like I'm sitting right there with you, and that I'm feeling the same emotions you were feeling. Your approach was very creative and I really liked that you didn't reveal the subject of the piece until the end.
The part about the principal and the security gaurd was a little confusing,and I think you could go into a bit more detail in your conclusion, but other than that I thought this was amazing! Very well done!
Your introduction is so subtly intriguing! I think it's interesting that you don't indicate anything about Mommy-O until your father picks you up from school.
ReplyDeleteI also really like how you transition from getting picked up from school to thinking of your grandma. It really makes a stream of consciousness feel that the reader can connect with.
The theme of rain is really interesting to play with here, because just as you've noted that it was cloudy that day and you could tell rain was coming, you had no idea the "storm" that was ahead. Really, really, cool what you've done here.
I think your ending coud use a little something more, though. I like that you've used a common cliche, "everything happens for a reason" and combated it with "but what they didn't tell me..." However, you might want to rearrange the why how, etc portion to make it a little more clear.
Freakily vivid! I had a great time reading this, you are so incredibly descriptive without being corny or over-doing it. As with any piece there is a bit of cleaning up to do in sentence structure and such, but not much. Your transitions are beautiful, you really do a good job of leading the reader through that day of your life. Excellent choice starting with the late-for-school approach, it gives me that too-familiar feeling of rushing and urgency, which really was a nice set-up for the piece. Great style, and great job bringing those emotions out without detaching the reader.
ReplyDeleteSarah,
ReplyDeleteWow, this was a really moving piece and I could really feel the emotion. Your descriptions of how you were feeling when your dad picked you up and your interactions with your grandmother were really vivid. The scene between you and your grandmother where she is talking about the freckles really stood out to me, and I think it would add to your piece if you included more details about your relationshiop with your grandmother.
I really liked the way you structured this with a somewhat ambiguous introduction that makes you want to keep reading to find out what happens and then continues into a flashback/ reflection of your time with your grandmother.
There were a lot of tense shifts and some awkward sentence structures which made it confusing at times, but if you fix those it will make your piece even stronger!
Sarah,
ReplyDeleteFirst off, your metaphoric language with weather is excellent. That stood out to me more than anything. Great job using the ominous effect of the impending storm along with the suspense created by holding back the subjects identity. It made for an emotional piece.
The one thing that threw me off was the jump from the principal's office to what seemed like a flashback. It's effective in theory because it creates an emotional attachment to the person you've lost, but maybe set it in italics or with a page break. Other than that, great work.